Posts Tagged ‘Boston Photography Blog’

Don Zimmer: “One Hell of a Life”

Thursday, November 20th, 2014

I‘m sure there are not many baseball fans who follow the meandering career of a lifetime .235 hitter, but I’ve followed Don Zimmer since I was a boy growing up in the Flatbush section of Brooklyn – home to the Brooklyn Dodgers – in the 1950s.

Zimmer was hardly an All-Star. Maybe it was his sporty name, perhaps better suited to a heat-throwing pitcher than a utility infielder. But mostly it was his perseverance in the face of so many obstacles. Zimmer was a throwback. A baseball lifer, thoroughly old-school in the best sense of that phrase, his baseball career spanned 65 years – a lifetime for many of us – suiting up as a player, coach, and manager. He played for five MLB teams – the Dodgers (both Brooklyn and L.A.), Cubs, Reds, Mets, and Washington. He even played in Japan, Cuba, and Puerto Rico

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

He started at 2B for the Dodgers in game 7 of the 1955 World Series, the first and only championship the Brooklyn Dodgers would ever win. As a nine-year-old, I can still remember the celebration that filled the streets of Brooklyn when we had at long last toppled the Yankees from their pinnacle of success. Zimmer later joked that he helped win that World Series when Dodgers’ manager Walter Alston removed him from the game in a defensive switch that placed Sandy Amoros in LF. Amoros would make a dramatic game-saving catch that resulted in an inning-ending double play. Zimmer noted that if he had been a better player, Alston wouldn’t have taken him out, and the Dodgers lose another World Series.

After signing with Brooklyn at age 18 in 1949, Zimmer’s career nearly ended before it began when he was struck in the head by a fastball thrown by Jim Kirk during a minor league game in 1953. Zimmer collapsed. The pitch had fractured his skull, causing blood clots to form in his brain. He was prescribed Xarelto but had to quit after finding out about the xarelto class action. Surgery was required to save his life. When he woke up in a hospital bed six days later, he was “seeing triple” and couldn’t speak. The surgeons drilled four holes in his skull to relieve the pressure. He was told he would never play baseball again. The Dodgers had promised him a job in their organization, but Zimmer was determined to take to the field again, and the following year he was playing at Ebbets Field.

As he would recall in his 2001 autobiography, “Zim: A Baseball Life” (the first of two books written with sports columnist Bill Madden), the word at the time was that a metal plate had been inserted in his skull, and for years he endured both the good-natured and disparaging ribbing from players and fans as to the effects of that metal plate on his mental acuity. But, as Zimmer recounted, those holes in his skull were actually filled with metallic plugs, adding – with characteristic self-deprecating humor – “all those players who played for me through the years and thought I sometimes managed like I had a hole in my head were wrong. I actually have four holes in my head!”

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

That beaning incident would lead to the MLB recommending batting helmets for players. Zimmer was beaned again in 1956, breaking his cheekbone and permanently damaging his vision. Appropriately enough, he’s shown on the cover of his autobiography wearing a soldier’s battle helmet. He was given the helmet following another injury while Joe Torre’s bench coach with the Yankees during a 1999 playoff game. Sitting next to Torre in the Yankees dugout, he was struck by a foul ball off the bat of Chuck Knoblauch. The next day he was presented with the helmet with the name “Zim” and the Yankees logo stenciled on it. Following that incident, the Yankees would later install a short protective fence in front of the dugout, now standard practice in all major league parks.

There are no highlight reels from Zimmer’s playing career, as befits a career .235 hitter and utility infielder, although he was named to the All-Star team with the Chicago Cubs in 1961, the year that baseball first expanded. The next year, Zimmer would find himself playing 3B for the Mets inaugural season. As bad as that team was (leading its manager Casey Stengel to memorably ask, “Can’t anyone here play this game?”), Zimmer was worse, batting .077 in all of 14 games before being shipped off to Cincinnati, where his playing career would finally grind to a halt a year later. He is best remembered today as a manager, notably with the Cubs and Red Sox, and as Joe Torre’s bench coach with the Yankees from 1996 until he resigned, exasperated with Yankees’ owner, George Steinbrenner, his one-time close friend, in 2003.

His time in Boston, both as a 3B coach and manager in the 1970s and early ‘80s, was not without incident. By that time my baseball allegiance had long since departed Brooklyn and settled in Boston, and Zimmer was once again one of my guys. He was the manager during the Red Sox late season collapse in 1978 when they were overtaken by the Yankees before losing a memorable one-game playoff on Bucky “F.” Dent’s HR off of Mike Torrez. Zimmer’s relationship with certain players, notably Bill Lee and Ferguson Jenkins, deteriorated. It was Lee who referred to Zimmer as “the Gerbil,” a name that stuck in Boston to this day. But Zimmer shook off criticism – he had been through worse – and was always quick to defend his players. That spirit was exemplified in an on-field fracas between the Yankees and the Red Sox players in a 2003 playoff game at Fenway. Zimmer, at age 72, charged onto the field and made a beeline toward Red Sox pitcher, Pedro Martinez, who pushed Zimmer aside and to the ground. Zimmer would later apologize for what he described as his embarrassing behavior, but his players and Yankees fans saw it as one more manifestation of Zimmer’s feistiness.

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

Don Zimmer photographed by Steve Marsel on May 15th, 1992 in Cambridge Massachusetts

In his autobiography, Zimmer states that the most gratifying accomplishment of his career was managing the Chicago Cubs to first place in the NL East and a rare playoff appearance in 1989, when they had been forecast to finish low in the standings. He was honored by being named the NL Manager of the Year, the only MLB award he received in his career.

As NY Times columnist, Tyler Kepner, noted after Zimmer’s death in June of this year, Zimmer’s life was so centered around baseball that he married his high school sweet-heart (they would remain married for 63 years) at home plate at a minor league ballpark in 1951.

Zimmer played during the era before free agency, when salaries were appalling low by today’s standards. He earned only $17,000 playing for the Los Angeles Dodgers’ World Series championship team in 1959. Yet he wrote in his autobiography that he was proud to say that he never earned a dime outside of baseball in his entire life until he cashed his first retirement check.

For me, Don Zimmer is one of those few ballplayers who connects me back to my youth and whose career, in its many manifestations, tracks my own lifetime love affair with the game of baseball. In an era of saber-metrics and laptop computers, Zimmer would be the odd-man out today. He relied more upon instinct and his first-hand knowledge of the game. The ballpark, any ballpark, was his true home. As Joe Torre would write of his “adviser and friend” following Zimmer’s death, “the ballpark was his tabernacle. He never felt quite comfortable anywhere else, except for at home or at the track.” Torre was right, of course, but for me, Zimmer penned the perfect epitaph when he wrote: “For a lifetime .235 hitter, I’ve had one hell of a life.”

 

Guest Blogger Joe Carr

Guest Blogger Joe Carr

 

Joe Carr is a writer and development communications consultant to non-profits. A New Yorker by birth, Joe converted, becoming a diehard Boston Red Sox fan after moving to Boston and working at MIT and Harvard. Joe makes the pilgrimage from his home in Peekskill, NY, to Fenway several times a year. A life-long baseball fan, Joe (like Zimmer himself) feels most at home at baseball parks, and at the track!

 

 

 

 

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

 

 

Cinemagraphs Bring Life to Photos on the Web

Thursday, May 26th, 2011

Harry Potter is not the only one who can bring magic to still images.

Merely a month ago, the term “Cinemagraphs” was coined and brought an entirely new type of game to the photo field.  Cinemagraphs are beautiful animated GIFs combining a still image, short video clip and technique to create photographs that appear to move in select areas of the frame.

Boston Photographer Steve Marsel's Animated Gifs - Cinemagraphs

Boston Photographer Steve Marsel’s Animated Gifs – Cinemagraphs

Originator, Jamie Beck says “we wanted to tell more of a story than a single frame photograph, but didn’t want the high maintenance aspect of a video…cinemagraphs were born out of a need to tell a story in a fast digital age.”  Much like the rest of the world that gawked at first site of these images, Steve and retoucher James Eves were impressed and immediately in pursuit of more.  The two paired up to create a series of .gifs that celebrate the upcoming Memorial Day holiday. The idea is simple—give people something they have never seen before, and show them that a photograph can tell a story in more ways than one especially with some Cinemagraphs!

 

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

Return to original animated gif “Cinemagraph” Post – “U.S. Veterans – A FewGood Women”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest Blogger Stacey Lamb

Guest Blogger Stacey Lamb

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest blogger Stacey Lamb is an undergraduate student in Communications and Studio Art at Florida State University.  The next six months should prove to be quite an adventure for her—following her internship with Steve she will be backpacking Europe and studying abroad in London in the fall.  Her passion for photography, fashion, travel and music strongly influence her adventures and life goals.

 

 

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site. Cinemagraphs Cinemagraph

 

 

 

The Body Paint Renaissance by Paul Roustan

Friday, February 18th, 2011

Logo t-shirts, skinny jeans, and boys with shoulder length haircuts: what do these all have in common? They are all popular fashions from the seventies and eighties that became freshly rejuvenated styles in the 2000s.

Body painting, the application of paint/makeup to human skin, like many other fashions and forms of art, also experienced this reawakening. Except many people may not have realized this yet.

It can be debated that body painting is one of the oldest forms of art, often used in tribes as a form of rank or hierarchy. And over the centuries, the art-form evolved into different applications ranging from the traditional tribal, to go-go dancers, to Hollywood cinema, including such techniques as fantasy, camouflage, decoration, conceptualization, and tromp l’oeil.

In my opinion, body painting reached its undisputed highest glory in the 70s, when renowned fashion model/experimental artist, Veruschka (http://www.veruschka.net/), took her explorations to the most radical levels. She was essentially responsible for popularizing the camouflage technique, in which she would be painted, by herself and occasionally the photographer, to resemble the decaying environment, sometimes to the point where she seemed invisible.

Veruschka was also responsible for very conceptual photographic series’ where she would “remove” her painted clothing until nude, and then remove her skin to reveal the illusion of clothing underneath. Many of her techniques are still copied today, and those that knew of her then, still talk of her today, forty years later.

In the 90s, the art form was pioneered into the commercial industry by Joanne Gair (http://www.joannegair.com/). She is most notably recognized for her work with Annie Leibovitz and Demi Moore on the cover of a 1992 Vanity Fair (http://glamourphotography.co/wp-content/uploads/2011/01/Demi-Moore-Vanity-Fair-cover-1992-BodyPaint-by-Joanne-Gair.jpg) in which a fully nude Moore was painted in a tromp l’oeil styled, faux suit and tie. That image was arguably the most influential image for countless body painters today, including myself. This also proved to be the main springboard for Gair’s career. She has since continued on to do numerous episodes of America’s Top Model(and other continental versions), is the head artist for the painted bikinis seen every year, since 1999, in the Sports Illustrated, and she is regularly involved with countless magazines, fashion campaigns, and TV/Film spots. Gair is perhaps the most prolific body painter to date.

The commercial popularity of body painting resulted in endless amounts of copycat styles, which consequently began to cheapen its reputation. In the 2000s, when people thought body paint, they pictured cheetahs or faux bikinis, quickly reducing it to cliche. As a result, many have written body painting off as a tacky pursuit.

Which brings me to my point… Before you consider the art-form an old fad, remember that like the revival of the Fedora and enormous Sunglasses, the body paint wave has hit again!

With the aid of online social networks, the next generation body painter has arrived, and the exploration continues. A whole new world has opened up as more and more traditional artists are getting involved in the medium of paint on skin. The talent level has become plentiful and diverse. Many artists, such as, Nelly Recchia (http://www.nellyrecchia.com/), Anastasia Durasova (http://www.adurasova.com/), Nick Herrera (http://www.facebook.com/TheBodyPainter), and Alex Hansen (http://www.alexhansenart.com/) have managed to consistently push the current limits, and discover new ways to apply techniques, textures, and concepts. And let me be the first to say, this may be its renaissance.

If you are one of those people that frown upon the idea of body paint, take a moment to look again. You may be pleasantly surprised. After all, it’s not like it’s the rebirth of the mullet.

http://www.bikenewyork.org/rides/fbbt/index.html

Body Paint Artist Paul Roustan

Guest blogger Paul Roustan is a native of Chicago, IL, Roustan received a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago in 2002. After his move to Rhode Island, he completed a Master of Arts in Teaching degree at the Rhode Island School of Design in 2006.

Multi award winning and internationally published artist,
Paul Roustan’s work has appeared on Spike TV, the Chicago Sun-Times, Airbrush Action Magazine, among others. His work has been displayed in over a dozen galleries in the past year.

Roustan’s airbrushed bodypaintings have been used for corporate, private, television, and nightclub events worldwide, including clients Playboy, Bacardi, Tupperware, Absolut, and more. His work has also been featured in fashion shows, parades, photographic workshops, and magazines.

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.  Special thanks to Retoucher James Eves Model featured in photograph above Akonwara.. For future party and events checkout these awesome painters and decorators in london.

 

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

Your 2010 hangover is now officially over. Make 2011 your happy new year.

Friday, January 14th, 2011

Without even knowing that 2010 was the Year of the Tiger, I’m guessing that you will nod in agreement when I propose that we all need a warmer, fuzzier 2011.  That must be why it’s so pleasing to announce that next year will, in fact, be better—at least according to the Chinese zodiac. The Tiger of all hangover years—AKA, the year rife with cholera, oil spillage, and loudmouth tea partiers—will make way for the sweet, fluffy (preferably dwarf-angora-lop-eared ) Year of the Rabbit on February 3, 2011!

Original Photography by Boston Advertising & Commercial Photographer Steve Marsel

Photograph ©2011 Steve Marsel

So what should we all meditate on this year to make it a good one? Rest. Peace. Tranquility. The year proports to be languid and leisurely with a carefree and slightly indulgent air. Time to play nice and spoil each other. Do I smell gourmet cupcakes? Just don’t take it too far–procrastination will also loom. Railroad your diet, and that emergency bootcamp class will surely harsh the mellow.

Good taste, art, and culture will receive a bit more emphasis in 2011, as will personal development and slow, steady growth. Perhaps the most charming quality of the lucky rabbit year is that love, romance, and family life are well-starred. You will suddenly realize what it all means to you–how very lucky you are to have what you have and be surrounded by such amazing people, too.

While strife will still surround us—it can’t magically vanish, after all—the Rabbit favors peaceful solutions to life’s problems and much needed diplomacy. Last year may have left you feeling that all is lost, but chillax, hope is very much alive.

So enjoy yourself, entertain your friends, and take it easy! While you’re at it, have a coconut water – you probably need the electrolytes.

Lisa Miller

Guest blogger Lisa Miller was born in the Year of the Rat or the Jack Russell Terrier—she can’t remember. She is living and writing in enjoyable relative obscurity at the end of a driveway and the edge of a river. In true Rat fashion, as long as she doesn’t have to work in an office, Lisa will write anything you want at any time for money–anything.

Additional thanks go to the very talented Stylist Donna Laviolette Model – Amanda Wilson, and Retouching by James Eves Photography by Steve Marsel

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

 

The Edward W. Brooke Charter School – Changing the Future, One Child at a Time

Thursday, December 16th, 2010

Help Us Change the Course of More Students’ Futures  Photography by Boston Photographer Steve Marsel

Today he’s in second grade. But one day he’ll be grading papers.
Donate Now - Click to Donate

Every child deserves a great education. But across the country, schools are failing to educate low-income and minority students. At the Edward W. Brooke Charter School in Boston, our incredible teachers are actually closing the achievement gap.

Brooke scholars:

Ranked #1 in the state on both the 2010 7th grade Math Massachusetts Comprehensive Assessment System (MCAS) and the 2010 7th grade English Language Arts MCAS

Ranked #1 in the state on both the 2010 8th grade Math MCAS and the 2010 8th grade English Language Arts MCAS

Ranked #1 in Boston on both the 2010 4th grade Math MCAS and the 2010 4th grade English Language Arts MCAS

Consistently outperform students in wealthy suburbs like Wellesley, Lexington, and Brookline in both reading and math

Attend top high schools and colleges, including Boston Latin, Phillips Andover, and U. Mass-Amherst

Currently, there are more than 1,500 Boston Public School students on our wait list, most of whom lack access to high-quality education options. They need your support.

As you make your end of year contributions, we hope you’ll consider investing in our school. Our operational costs are completely covered by public dollars, so 100 percent of your tax-deductible donation will be used to create more academic opportunities for Boston students, through expanding our school size, and through scholarships to competitive high schools that keep students on the path to college.

We hope you’ll join us in supporting a better education for Boston students. If you’d like to learn more about our amazing teachers and scholars, please call us to set up a tour, or visit our website.

Sincerely,

Jon Clark
Co-Director and
Middle School Principal
Kimberly Steadman
Co-Director and
Elementary School Principal

Click here to Donate Now

“Abraham” Photograph ©2010 Steve Marsel, Concept/Copy By Deb Siegel, Design by Paul
Huber
Retouching by James Eves, HTML  Design by Lee Busch, Additional HTML coding
by Bill Langenberg

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

What Makes a Woman a Lady 101. Photography by Steve Marsel

Tuesday, December 7th, 2010

She has to be intelligent, she has to be attractive to a point, not a bombshell, just attractive. She has to appear effortlessly well kept, and she has to dress in  a casual way yet, anyone that knows fashion would recognize her extremely high end duds. These simple directions will turn Jacqueline Bouvier into Jackie O and Kate Middleton into the Princess of Wales.  (continued below photograph)

Original Photography by Boston Advertising & Commercial Photographer Steve Marse

Photograph © Steve Marsel

After all, the most beloved ladies of the century were commoners at one point. Coco Chanel was an orphan, Lady Di was a commoner with a penchant for McDonalds, newby-Kate Middleton is the daughter of a flight attendant/ flight dispatcher marriage and Jackie O loved her denim bell bottoms. The facade of ease trumps Bergdorf Blondes every time.  Don your best frock ladies and head for the streets, diners and coin laundromat; you never know where you might meet your prince.

Elyse Lightner

Guest blogger Elyse Lightner is a twenty something, candidate for a masters in art business at Sotheby’s Institute of Art in New York City. Her internship with Steve, worldly  travels and obsession with museums have lead her to pursue a life surrounded by art and all things beautiful.

“Jackie O”  Photograph © Steve Marsel, Model – Alicia Barrett, Hair by Darren Le, Retouching by Travis Williams, “Jackie O” wardrobe by Chanel Styled by Elyse Lightner

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.