Posts Tagged ‘James Eves’

Steve Marsel~Cinemagraph of Poles

Sunday, June 29th, 2014

Steve Marsel’s Cinemagraphs

 

Adding Motion and Interest!

On Location with Photographer Steve Marsel

Steve Marsel's Cimemagraph of Brunswick School's Ogden family

Steve Marsel’s Cimemagraph of Brunswick School’s Ogden family

Brunswick School’s Odgen Family – Giving back and Conservation

Pictured above is one of Steve Marsel’s eight Cinemagraphs taken for [addlink url=”http://www.brunswickschool.org/” text=”The Brunswick School”] in Greenwich, Connecticut.  Brunswick is the leading independent day school for boys, nationally recognized for the strength of their academics, athletics, and the arts.  The school is known for the clarity and consistency of their educational mission, and the quality and character of our students, faculty, and alumni.  The Campaign for Brunswick seeks $100 million in capital gifts further these ideals and goals.  For the web aspect of the campaign, Steve Marsel was asked to create a series of images that grabbed the attention of the viewers of the site, preferably something they had never seen before!  In this Cinemagraph, the Ogden family is pictured on the breakwater at Greenwich Point not far from Brunswick Upper School campus.  The Family made a substantial donations to the school and are longtime supporters of The Connecticut Chapter of The American Red Cross where Ross Ogden spent six years on it’s board of governors.  Ross Ogden ’62 first came to Brunswick as a second grader in 1951, when his family moved to Greenwich from Chicago. He and his wife, Cathy, have two sons, both Brunswick “lifers.“ Ross ’91 obtained degrees from Dickinson College and The George Washington University, and currently invests in commercial real estate. He also follows his love of the outdoors with conservation work for various non-profit organizations. Ted ’95 was inspired by his years at Brunswick to pursue a teaching career after graduating from Middlebury College and earning an M.A. from the University of Chicago. He now teaches and coaches at the Landon School, outside of Washington, D.C. Like his brother, Ted is an avid fly-fisherman. Steve Marsel felt that the repeating loops of the tugging on the fishing pole made perfect sense for this image and complimented one of the passions of this family – conservation.

 

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
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Steve Marsel~Cinemagraph of Lights

Saturday, June 28th, 2014

Steve Marsel’s Cinemagraphs

Adding Motion and Interest!

A Look Behind the Scenes with Photographer Steve Marsel

Brunswick School’s Baker Theater

Steve Marsel's Cinemagraph of the Brunswick School's Doyle Family

Steve Marsel’s Cinemagraph of the Brunswick School’s Doyle Family

Pictured above is one of Steve Marsel’s eight Cinemagraphs taken for [addlink url=”http://www.brunswickschool.org/” text=”The Brunswick School”] in Greenwich, Connecticut.  Brunswick is the leading independent day school for boys, nationally recognized for the strength of their academics, athletics, and the arts.  The school is known for the clarity and consistency of their educational mission, and the quality and character of our students, faculty, and alumni.  The Campaign for Brunswick seeks $100 million in capital gifts further these ideals and goals.  For the web aspect of the campaign, I was asked to create a series of images that grabbed the attention of the viewers of the site, preferably something they had never seen before!  Although the current version of animated gifs had been out for some time, they had no really caught-on, with one glaring exception – the on-line porn industry! If you think about it, Cinemagraphs and porn are a perfect match.  The device that separates a great Cinemagraph from all the others is a seamless repeating loop.  Some moving element that repeats itself in a “loop”.  So much of what that industry sells involves shots “loops” of motion that repeat themselves over and over again.  Once again – porn & Cinemagraphs are a great fit!  My challenge with the Brunswick School job was to come up with “repeating loops” that somehow related to the people in the photo and their connection to the school.  In this Cinemagraph, the Doyle family is pictured on the stage of the baker Theater on the Brunswick Upper School campus.  The Family made a substantial donation to the school earmarked for construction of the theater.  The houselights at the Baker Theater are programmable LED ceiling lights manufactured by [addlink url=”http://www.colorkinetics.com/showcase/theatre-entertainment/” text=”Philips Color Kinetics”]. The repeating loops of the lights made perfect sense and adds commentary to the image

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

 

Steve Marsel Studio Cinemagraphs

Thursday, September 26th, 2013

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
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Cinemagraphs Bring Life to Photos on the Web

Thursday, May 26th, 2011

Harry Potter is not the only one who can bring magic to still images.

Merely a month ago, the term “Cinemagraphs” was coined and brought an entirely new type of game to the photo field.  Cinemagraphs are beautiful animated GIFs combining a still image, short video clip and technique to create photographs that appear to move in select areas of the frame.

Boston Photographer Steve Marsel's Animated Gifs - Cinemagraphs

Boston Photographer Steve Marsel’s Animated Gifs – Cinemagraphs

Originator, Jamie Beck says “we wanted to tell more of a story than a single frame photograph, but didn’t want the high maintenance aspect of a video…cinemagraphs were born out of a need to tell a story in a fast digital age.”  Much like the rest of the world that gawked at first site of these images, Steve and retoucher James Eves were impressed and immediately in pursuit of more.  The two paired up to create a series of .gifs that celebrate the upcoming Memorial Day holiday. The idea is simple—give people something they have never seen before, and show them that a photograph can tell a story in more ways than one especially with some Cinemagraphs!

 

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
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Return to original animated gif “Cinemagraph” Post – “U.S. Veterans – A FewGood Women”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest Blogger Stacey Lamb

Guest Blogger Stacey Lamb

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest blogger Stacey Lamb is an undergraduate student in Communications and Studio Art at Florida State University.  The next six months should prove to be quite an adventure for her—following her internship with Steve she will be backpacking Europe and studying abroad in London in the fall.  Her passion for photography, fashion, travel and music strongly influence her adventures and life goals.

 

 

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site. Cinemagraphs Cinemagraph

 

 

 

A Few Good Women – Cinemagraph by Steve Marsel

Wednesday, May 25th, 2011

Serving in the USMC was an experience that is a part of me.  I live it day to day.”

Sgt. Heidi Larson Hurley USMC

Sergeant Heidi Larson Hurley served in the Marine Corps for nine years.  “I decided to join during my senior year of high school while all my friends were being accepted to college,” she reflects.  “I still recall Parris Island like it was yesterday.” As graphic illustrator, she was part of a team that created training aids and presentations for briefings and events during the Saudi Conflict in 1991.  She went on to study at Mass ART and to work at Boston ad agency Hill Holiday.  Today she teaches art and design at Braintree High School outside of Boston.

Sgt. Heidi Larson Hurley USMC

Sgt. Heidi Larson Hurley USMC

The flag waving in Heidi’s classroom this Memorial Week is a reminder of – and a tribute to – all who have served their country and the cause of freedom.   “I belong to the Women Marines Association,” says Heidi.  “Some of the members are in their eighties and nineties now, among the first women who served in the USMC. I am honored to know them.”  Semper fidelis.

 

Want to know more about Steve Marsel’s animated Cinemagraphs? – Click here!

 

 

 

Guest Blogger Jack Brady

Guest Blogger Jack Brady

 
 
Guest Blogger John (“Jack”) Brady is a writer, editor, author and biographer.  He was editor-in-chief at Writer’s Digest and Boston magazine, and founding editor of The Artist’s Magazine.  His byline has appeared in New York magazine, New Times, Esquire, American Film, The Sunday New York Times, The Boston Globe Magazine and numerous other publications.   His interview with author Evan Connell appeared in the March 2011 issue of The Writer magazine. He has taught journalism at Boston University and has been visiting professional at the Scripps School of Journalism, Ohio University and was Hearst Visiting Professor at the University of Missouri Journalism School.

 

John Brady lives in Newburyport, Massachusetts and can be reached at 978/463-2255 or at 978/270-6686 (cell); or by e-mail at Bradybrady@aol.com.
 
 
Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
 

The Body Paint Renaissance by Paul Roustan

Friday, February 18th, 2011

Logo t-shirts, skinny jeans, and boys with shoulder length haircuts: what do these all have in common? They are all popular fashions from the seventies and eighties that became freshly rejuvenated styles in the 2000s.

Body painting, the application of paint/makeup to human skin, like many other fashions and forms of art, also experienced this reawakening. Except many people may not have realized this yet.

It can be debated that body painting is one of the oldest forms of art, often used in tribes as a form of rank or hierarchy. And over the centuries, the art-form evolved into different applications ranging from the traditional tribal, to go-go dancers, to Hollywood cinema, including such techniques as fantasy, camouflage, decoration, conceptualization, and tromp l’oeil.

In my opinion, body painting reached its undisputed highest glory in the 70s, when renowned fashion model/experimental artist, Veruschka (http://www.veruschka.net/), took her explorations to the most radical levels. She was essentially responsible for popularizing the camouflage technique, in which she would be painted, by herself and occasionally the photographer, to resemble the decaying environment, sometimes to the point where she seemed invisible.

Veruschka was also responsible for very conceptual photographic series’ where she would “remove” her painted clothing until nude, and then remove her skin to reveal the illusion of clothing underneath. Many of her techniques are still copied today, and those that knew of her then, still talk of her today, forty years later.

In the 90s, the art form was pioneered into the commercial industry by Joanne Gair (http://www.joannegair.com/). She is most notably recognized for her work with Annie Leibovitz and Demi Moore on the cover of a 1992 Vanity Fair (http://glamourphotography.co/wp-content/uploads/2011/01/Demi-Moore-Vanity-Fair-cover-1992-BodyPaint-by-Joanne-Gair.jpg) in which a fully nude Moore was painted in a tromp l’oeil styled, faux suit and tie. That image was arguably the most influential image for countless body painters today, including myself. This also proved to be the main springboard for Gair’s career. She has since continued on to do numerous episodes of America’s Top Model(and other continental versions), is the head artist for the painted bikinis seen every year, since 1999, in the Sports Illustrated, and she is regularly involved with countless magazines, fashion campaigns, and TV/Film spots. Gair is perhaps the most prolific body painter to date.

The commercial popularity of body painting resulted in endless amounts of copycat styles, which consequently began to cheapen its reputation. In the 2000s, when people thought body paint, they pictured cheetahs or faux bikinis, quickly reducing it to cliche. As a result, many have written body painting off as a tacky pursuit.

Which brings me to my point… Before you consider the art-form an old fad, remember that like the revival of the Fedora and enormous Sunglasses, the body paint wave has hit again!

With the aid of online social networks, the next generation body painter has arrived, and the exploration continues. A whole new world has opened up as more and more traditional artists are getting involved in the medium of paint on skin. The talent level has become plentiful and diverse. Many artists, such as, Nelly Recchia (http://www.nellyrecchia.com/), Anastasia Durasova (http://www.adurasova.com/), Nick Herrera (http://www.facebook.com/TheBodyPainter), and Alex Hansen (http://www.alexhansenart.com/) have managed to consistently push the current limits, and discover new ways to apply techniques, textures, and concepts. And let me be the first to say, this may be its renaissance.

If you are one of those people that frown upon the idea of body paint, take a moment to look again. You may be pleasantly surprised. After all, it’s not like it’s the rebirth of the mullet.

http://www.bikenewyork.org/rides/fbbt/index.html

Body Paint Artist Paul Roustan

Guest blogger Paul Roustan is a native of Chicago, IL, Roustan received a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago in 2002. After his move to Rhode Island, he completed a Master of Arts in Teaching degree at the Rhode Island School of Design in 2006.

Multi award winning and internationally published artist,
Paul Roustan’s work has appeared on Spike TV, the Chicago Sun-Times, Airbrush Action Magazine, among others. His work has been displayed in over a dozen galleries in the past year.

Roustan’s airbrushed bodypaintings have been used for corporate, private, television, and nightclub events worldwide, including clients Playboy, Bacardi, Tupperware, Absolut, and more. His work has also been featured in fashion shows, parades, photographic workshops, and magazines.

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.  Special thanks to Retoucher James Eves Model featured in photograph above Akonwara.. For future party and events checkout these awesome painters and decorators in london.

 

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

Rosa Parks, Martin Luther King, and race in America. By Jim Buie Photography by Steve Marsel

Sunday, January 16th, 2011

In the 55 years since Rosa Parks refused to move to the back of a city bus, sparking the Montgomery, Alabama Bus Boycott,

America has made remarkable progress in the area of civil rights. Segregation has been outlawed, doors have been opened for minorities

to integrate into the mainstream of affluent American society, and whites have been freed from the guilt that comes from racial oppression. Who could have imagined in 1955 that the United States would one day have an African American president?,

Original Photography by Boston Advertising & Commercial Photographer Steve Marsel

Photograph ©2011 Steve Marsel

The victory of Barack Obama demonstrated that racial prejudice, as well as distrust and division among the races, have diminished considerably in the last half century. His election was a redemptive moment for the nation.

And yet, two years later, his presidency seems more transitional and less transformational. For many blacks, the American Dream remains far too elusive. Thanks to the Bush years and the Great Recession, many African Americans are worse off economically than were their parents. The income gap between whites and blacks has GROWN in the last 30 years. Racial discrimination endures in education, wages and employment. Indeed, a class divide has developed in the black community: middle class African Americans say they share values more in common with middle-class whites than they do with the underclass of poor blacks and whites.

African Americans still represent Obama’s strongest base of support. Just as John F. Kennedy broke a social barrier in becoming the first Catholic president, Obama broke a social barrier in becoming the first African American president. Just as anti-Catholic bigotry dissolved into insignificance after the 1960 election, it seems likely that bigotry against African Americans will fade with the generations that lived in and perpetuated racial segregation.

But much work is left to be done — especially in the economic realm — in making Martin Luther King’s dream of racial equality a reality.


Steve Marsel Galleries Blog Guest Blogger Jim Buie

Jim Buie

Guest blogger Jim Buie grew up in a small town in North Carolina during the turmoil of the civil rights era, which pricked his conscience about the social injustices he observed locally. He went on to a six-year career as a newspaperman, where he profiled Klansmen, met Martin Luther King Sr., Andrew Young, and Rosa Parks, among other “greats” of the civil rights movement.

More recently he served as a communications consultant to the North Carolina NAACP.  Mr. Buie is teaching English in central Turkey where he also writes articles for international publications.  His most recent book “Teacher of ‘Our Town’,” Jim explores his mother’s experiences as a teacher during the racial integration of her public school she taught at. He blogs about civil rights and current events at www.jimbuie.com.  Read more about civil rights on his blog .

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

Actual text of the speech by Dr. Martin Luther King to kickoff the Montgomery Bus Boycott December 5th, 1955
We are here this evening for serious business. We are here in a general sense because first and foremost we are American citizens, and we are determined to apply our citizenship to the fullness of its means. We are here because of our love for democracy, because of our deep-seated belief that democracy transformed from thin paper to thick action is the greatest, form of government on earth. But we are here in a specific sense, because of the bus situation in Montgomery. We are here because we are determined to get the situation corrected.

This situation is not at all new. The problem has existed over endless years. For many years now Negroes in Montgomery and so many other areas have been inflicted with the paralysis of crippling fear on buses in our community. On so many occasions, Negroes have been intimidated and humiliated and oppressed because of the sheer fact that they were Negroes. I don’t have time this evening to go into the history of these numerous cases.But at least one stands before us now with glaring dimensions. Just the other day, just last Thursday to be exact, one of the finest citizens in Montgomery – not one of the finest Negro citizens but one of the finest citizens in Montgomery – was taken from a bus and carried to jail and arrested because she refused to get up to give her seat to a white person. Mrs. Rosa Parks is a fine person. And since it had to happen I’m happy it happened to a person like Mrs. Parks, for nobody can doubt the boundless outreach of her integrity. Nobody can doubt the height of her character, nobody can doubt the depth of her Christian commitment and devotion to the teachings of Jesus.And just because she refused to get up, she was arrested. You know my friends there comes a time when people get tired of being trampled over by the iron feet of oppression. There comes a time my friends when people get tired of being flung across the abyss of humiliation where they experience the bleakness of nagging despair. There comes a time when people get tired of being pushed out of the glittering sunlight of life’s July and left standing amidst the piercing chill of an Alpine November.

We are here, we are here this evening because we’re tired now. Now let us say that we are not here advocating violence. We have overcome that. I want it to be known throughout Montgomery and throughout this nation that we are Christian people. We believe in the Christian religion. We believe in the teachings of Jesus. The only weapon that we have in our hands this evening is the weapon of protest. And secondly, this is the glory of America, with all of its faults. This is the glory of our democracy. If we were incarcerated behind the iron curtains of a Communistic nation we couldn’t do this. If we were trapped in the dungeon of a totalitarian regime we couldn’t do this. But the great glory of American democracy is the right to protest for right.

My friends, don’t let anybody make us feel that we ought to be compared in our actions with the Ku Klux Klan or with the White Citizens’ Councils. There will be no crosses burned at any bus stops in Montgomery. There will be no white persons pulled out of their homes and taken out to some distant road and murdered.

There will be nobody among us who will stand up and defy the Constitution of this nation. We only assemble here because of our desire to see right exist.

My friends, I want it to be known that we’re going to work with grim and firm determination to gain justice on the buses in this city. And we are not wrong, we are not wrong in what we are doing. If we are wrong, then the Supreme Court of this Nation is wrong. If we are wrong, the Constitution of the United States is wrong. If we are wrong, God Almighty is wrong. If we are wrong, Jesus of Nazareth was merely a Utopian dreamer and never came down to earth. If we are wrong, justice is a lie. And we are determined here in Montgomery to work and fight until justice runs down like water and righteousness like a mighty stream.

I want to say that with all of our actions we must stick together. Unity is the great need of the hour. And if we are united, we can get many of the things that we not only desire but which we justly deserve. And don’t let anybody frighten you. We are not afraid of what we are doing, because we are doing it within the law.

There is never a time in our American democracy that we must ever think we’re wrong when we protest. We reserve that right. We, the disinherited of this land, we who have been oppressed so long are tired of going through the long night of captivity. And we are reaching out for the daybreak of freedom and justice and equality. In all of our doings, in all of our deliberations whatever we do, we must keep God in the forefront. Let us be Christian in all of our action. And I want to tell you this evening that it is not enough for us to talk about love. Love is one of the pinnacle parts of the Christian faith. There is another side called justice. And justice is really love in application. Justice is love correcting that which would work against love. Standing beside love is always justice. And we are only using the tools of justice. Not only are we using the tools of persuasion but we’ve got to use the tools of coercion. Not only is this thing a process of education but it is also a process of legislation.

And as we stand and sit here this evening, and as we prepare ourselves for what lies ahead, let us go out with a grim and bold determination that we are going to stick together. We are going to work together. Right here in Montgomery when the history books are written in the future, somebody will have to say “There lived a race of people, black people, fleecy locks and black complexion, of people who had the moral courage to stand up for their rights.” And thereby they injected a new meaning into the veins of history and of civilization. And we’re gonna do that. God grant that we will do it before it’s too late.

More info at http://www.thecorsetcenter.com/.

Your 2010 hangover is now officially over. Make 2011 your happy new year.

Friday, January 14th, 2011

Without even knowing that 2010 was the Year of the Tiger, I’m guessing that you will nod in agreement when I propose that we all need a warmer, fuzzier 2011.  That must be why it’s so pleasing to announce that next year will, in fact, be better—at least according to the Chinese zodiac. The Tiger of all hangover years—AKA, the year rife with cholera, oil spillage, and loudmouth tea partiers—will make way for the sweet, fluffy (preferably dwarf-angora-lop-eared ) Year of the Rabbit on February 3, 2011!

Original Photography by Boston Advertising & Commercial Photographer Steve Marsel

Photograph ©2011 Steve Marsel

So what should we all meditate on this year to make it a good one? Rest. Peace. Tranquility. The year proports to be languid and leisurely with a carefree and slightly indulgent air. Time to play nice and spoil each other. Do I smell gourmet cupcakes? Just don’t take it too far–procrastination will also loom. Railroad your diet, and that emergency bootcamp class will surely harsh the mellow.

Good taste, art, and culture will receive a bit more emphasis in 2011, as will personal development and slow, steady growth. Perhaps the most charming quality of the lucky rabbit year is that love, romance, and family life are well-starred. You will suddenly realize what it all means to you–how very lucky you are to have what you have and be surrounded by such amazing people, too.

While strife will still surround us—it can’t magically vanish, after all—the Rabbit favors peaceful solutions to life’s problems and much needed diplomacy. Last year may have left you feeling that all is lost, but chillax, hope is very much alive.

So enjoy yourself, entertain your friends, and take it easy! While you’re at it, have a coconut water – you probably need the electrolytes.

Lisa Miller

Guest blogger Lisa Miller was born in the Year of the Rat or the Jack Russell Terrier—she can’t remember. She is living and writing in enjoyable relative obscurity at the end of a driveway and the edge of a river. In true Rat fashion, as long as she doesn’t have to work in an office, Lisa will write anything you want at any time for money–anything.

Additional thanks go to the very talented Stylist Donna Laviolette Model – Amanda Wilson, and Retouching by James Eves Photography by Steve Marsel

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

 

The Power of White Fashion Photography – by Boston Photographer Steve Marsel

Thursday, November 11th, 2010

The Power of White   by Terry J. Wheaton

White…is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black…God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.                                                                                                                      G. K. Chesterton

 

Original Photography by Boston Advertising & Commercial Photographer Steve Marse

The Power of White By Terry J. Wheaton Photo by Steve Marsel

 

White is the sum of all other colors in the spectrum. It reflects light. In this image white evokes thoughts of subtle church music, smells of incense, and the wonder and excitement of a new bride. It sets the mood; it encapsulates all that is white and pure. It transcends continents and transports one to a mindset and time when all things are possible. From the straight lines of the architecture, to the innocent almost timid expression of the model, one can almost forget time, space and reality getting lost in the beauty of what could be.

 

Terry J. Wheaton

Guest blogger Terry J. Wheaton (Desired Results by Terry ) is a Fashion Stylist with a wealth of diverse experience. Her many years in front of the camera as a model have given her a unique perspective on styling. Terry understands what it takes to produce a quality  image. Her attention to detail and unparalleled organizational skills  make her a leader in the field. Comfortable in all types of settings and working with photographers and models at all skill levels, she brings her creativity and diversity to all that she does.

Special thanks go to the very talented Stylist Terry J. Wheaton, Model Amanda Gordon, Hair and Make-up by Lisa Roche, The incredible retouching of  Mr. James Eves, and Photo Editor Raquel Vidal. Photograph by Steve Marsel

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

 

Talking Hats – Original Fashion Photography by Boston Photographer Steve Marsel

Thursday, November 4th, 2010

Before bumper stickers and t-shirts, many of the loudest personal statements did not come from the mouth, but from an artistic formation of fabric, straw or leather strategically worn atop the head.  The hat continues to scream style, aspiration, status, and sense of humor.  We can hide demurely under a black wide brim and sunglasses, evoking Holly Golightly in Breakfast at Tiffany’s, balance a fruit and straw creation on the dance floor announcing,”Step back, I’m Carmen Miranda and I’m fun!”, perch a pillbox elegantly a la Jackie O.  We can look unflappable in 20’s-inspired flapper cloches, top notch in top hats, newsworthy in chic newsboy caps.

Original Photography by Boston Advertising & Commercial Photographer Steve Marse

“Cock your hat - angles are attitudes.” -- Frank Sinatra

We can further our self-expression by choosing how to wear our hats. Our fedoras can tilt dangerously, our baseball caps can have a major league curl to the brim, our skull caps can slouch and sulk.  One thing comes across loud and clear, however; hats talk.  They tell stories.  They reveal dreams.  They tell lies.  Don’t believe a word they say.

Raquel Vidal

Raquel Vidal

Guest blogger Raquel Vidal is a New York city based fashion stylist and the former accessory editor of Mademoiselle magazine.

Special thanks go to the very talented Stylist Terry J. Wheaton, Model Amanda Gordon, Make-up by Jeni Teran, The incredible retouching of  Mr. James Eves, and Photo Editor Raquel Vidal, Photography by Steve Marsel

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.